2000s Archive

The Guy Who Feeds Chicago

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The restaurant lost $150,000 during Melman’s first year. To help turn it around, he brought in a top-flight chef, Spanish-born, French-trained Gabino Sotelino, who had been cooking nearby at the exquisite Le Perroquet. “I told Gabino that if he did a great job at the Pump Room, I’d help him with his dream restaurant. He did, and I did.” Sotelino’s establishment was Ambria, which opened in 1980 and remained one of Chicago’s fine-dining stars until it closed in 2007 as Sotelino became increasingly involved in other LEYE projects. (The company ran the Pump Room for 22 years before losing the lease.)

“Little by little,” says Melman, “I realized that while this business is first of all about good food and good service, you also have to make money. Otherwise, you can’t take care of your peo­ple.” (LEYE doesn’t release financial information, but in 2004, Chicago magazine estimated its 2003 revenues at $200 million.) LEYE, which now has around 6,000 employees nationwide, shows up regularly on “best to work for” lists.

“It sounds corny,” says Chris Meers, one of 55 LEYE partners Melman has brought on over the years, “but there really is a family atmosphere at the company. Who else provides 401(k)s for their dishwashers?”

Melman estimates that he has opened more than 150 restaurants over the years. Today, the LEYE portfolio includes 80 establishments in 11 states, with five or six more in the works. (Melman keeps a bulging idea file, he says, adding, “I’m always looking for holes in the marketplace and for things we can do differently or better or both.” On the other hand, he says, “I’ve never had a long-range plan. My partners do, and I agree to it … as long as we can alter it every week.”)

What makes the company an anomaly in the multiunit food-service business is not just the consistent quality of its many operations but also their sheer stylistic breadth, from all-­American to exotic, food stand to dining palace—and from marketable concepts like Corner Bakery and Maggiano’s Little Italy (both sold off to massive Brinker International) to rarefied gastronomic shrines like Everest and Tru.

Melman tastes new food constantly. For instance, before he opened his sophisticated seafood restaurant L2O, on the site of the old Ambria, last May, he’d frequently sit in a private room at Tru and sample dishes created by the new establishment’s chef—Laurent Gras, formerly of Peacock Alley, in Manhattan’s Waldorf-Astoria Hotel, and Fifth Floor, in San Francisco.

Tastings of a different kind go on daily, informally, in the test kitchen at the LEYE offices in Chicago’s Edgewater neighborhood, north of downtown. When Melman and I walk in unannounced one morning, there are three chefs laboring. One is tinkering with muffins for the restaurant Foodlife. Another is developing turkey jerky to be served at a forthcoming restaurant built around wine-friendly food. A third is, as he puts it, “working on classic salads in a new way.”

“I’m always out there looking for talent,” says Melman, “and when we bring somebody on, we generally put them in the test kitchen first. People are always learning from each other. Sometimes in the test kitchen, one and one makes three.”

We taste a variation on the classic Caesar salad—a bed of shredded romaine with traditional Caesar dressing—topped with small romaine hearts in Caesar vinaigrette. We taste a summery salad of heir­loom tomatoes with tiny spheres of mozzarella and bits of celery, avocado, and radish, in a tomato-water vinaigrette. We taste another salad of shaved fennel, carrots, and radish with butter lettuce and a light white-wine vinaigrette. Melman gets excited. “I love these dressings,” he says. “Can we bottle them? I love this.”

As we leave the test kitchen, he is positively glowing. “Sometimes,” he says, “I find it hard to believe that I actually get paid for doing this.”

Richard Melman’s formula for success? There simply is no formula

Lettuce Entertain You Enterprises never did have to revert to endless versions of the same winning restaurant. Here’s a sampling of the company’s eclectic offerings in Chicago alone: Nacional 27 is a festive, hard-edged, rackety place featuring Modern Latin cuisine, including nontraditional ceviches, potentially addictive little barbecued-lamb tacos, and market specials for both food and drink. Diners have a choice at Shaw’s Crab House—bright, clamorous oyster bar or woody old-style dining room. Crab and oysters appear in numerous guises, and the fresh seasonal fish has just enough done to it to make it interesting. There’s nothing flashy about Osteria Via Stato. The food is simple and authoritative—like a first-rate Caesar salad, pappardelle with excellent ragù, a good selection of salumi and cheeses, and an unusual whitefish milanese. Mon Ami Gabi is a picture-postcard French bistro as conceived by Gabino Sotelino. (It’s one of five such establishments, including one in Las Vegas.) The space is cozy, with a nice buzz, and the food—pâtés, salads, coquilles St.-Jacques, steak frites 11 ways—is straightforward. “Casual Asian” doesn’t sound like an especially promising concept, but Big Bowl, one of eight nationwide outposts, was developed in collaboration with Asian-food authority Bruce Cost—and it shows. The focal point here is a choose-your-ingredients stir-fry bar, but you can also find great dumplings, melt-in-your-mouth saté, perfect fried calamari, and excellent barbecued pork on top of glistening jasmine rice. Wow Bao is another Cost project (and proof that silly names haven’t been banished entirely from LEYE). The specialty? Bao (Chinese steamed buns) with fillings that are mostly nontraditional (teriyaki chicken, Thai curry chicken, and spicy Mongolian beef). At Foodlife, in the Water Tower Place complex, diners get a “credit card” upon entering and are turned loose to pillage 13 kiosks devoted to soup, pasta, pizza, stir fries, noodles, Mexican dishes, and more. (You pay your check on the way out.) Tru is the preserve of chefs Gale Gand and Rick Tramonto. Here, you’ll find a sleek, modern dining room full of art, serious wines, and serious service. While there’s obviously a skilled hand in the kitchen (executive chef Tim Graham handles day-to-day duties), restraint is a foreign concept: Foams and emulsions abound; rhubarb is made into paper; and there’s licorice and kumquat with the suckling pig. Melman calls Joe’s Seafood, Prime Steak & Stone Crab “probably the best everyday restaurant I’ve ever done.” Loosely related to (and inspired by) Joe’s Stone Crab of Miami Beach, this bustling, brassy place boasts a celebrity clientele and a bar-and-grill soul. Naturally, the menu features sweet stone-crab claws, as well as oysters Rockefeller, bone-in filet mignon, and crisp hash browns so good other restaurants ought to take them off their menus. —C.A.

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