Tender at the Bone: The Queen of Mold

In the first chapter of her best-selling memoir, Tender at the Bone: Growing Up at the Table, Ruth Reichl introduces her mother, a notoriously bad cook who ultimately shaped Reichl’s view of food.

This is a true story.


Imagine a New York City apartment at six in the morning. It is a modest apartment in Greenwich Village. Coffee is bubbling in an electric percolator. On the table is a basket of rye bread, an entire coffee cake, a few cheeses, a platter of cold cuts. My mother has been making breakfast—a major meal in our house, one where we sit down to fresh orange juice every morning, clink our glasses as if they held wine, and toast each other with “Cheerio. Have a nice day.” Right now she is the only one awake, but she is getting impatient for the day to begin and she cranks WQXR up a little louder on the radio, hoping that the noise will rouse everyone else. But Dad and I are good sleepers, and when the sounds of martial music have no effect she barges into the bedroom and shakes my father awake.

“Darling,” she says, “I need you. Get up and come into the kitchen.”

My father, a sweet and accommodating person, shuffles sleepily down the hall. He is wearing loose pajamas, and the strand of hair he combs over his bald spot stands straight up. He leans against the sink, holding on to it a little, and obediently opens his mouth when my mother says, “Try this.”

Later, when he told the story, he attempted to convey the awfulness of what she had given him. The first time he said that it tasted like cat toes and rotted barley, but over the years the description got better. Two years later it had turned into pigs’ snouts and mud and five years later he had refined the flavor into a mixture of antique anchovies and moldy chocolate.

Whatever it tasted like, he said it was the worst thing he had ever had in his mouth, so terrible that it was impossible to swallow, so terrible that he leaned over and spit it into the sink and then grabbed the coffeepot, put the spout into his mouth, and tried to eradicate the flavor.

My mother stood there watching all this. When my father finally put the coffeepot down she smiled and said, “Just as I thought. Spoiled!”

And then she threw the mess into the garbage can and sat down to drink her orange juice.

For the longest time I thought I had made this story up. But my brother insists that my father told it often, and with a certain amount of pride. As far as I know, my mother was never embarrassed by the telling, never even knew that she should have been. It was just the way she was.

Which was taste-blind and unafraid of rot. “Oh, it’s just a little mold,” I can remember her saying on the many occasions she scraped the fuzzy blue stuff off some concoction before serving what was left for dinner. She had an iron stomach and was incapable of understanding that other people did not.

This taught me many things. The first was that food could be dangerous, especially to those who loved it. I took this very seriously. My parents entertained a great deal, and before I was ten I had appointed myself guardian of the guests. My mission was to keep Mom from killing anybody who came to dinner.

Her friends seemed surprisingly unaware that they took their lives in their hands each time they ate with us. They chalked their ailments up to the weather, the flu, or one of my mother’s more unusual dishes. “No more sea urchins for me,” I imagined Burt Langner saying to his wife, Ruth, after a dinner at our house, “they just don’t agree with me.” Little did he know that it was not the sea urchins that had made him ill, but that bargain beef my mother had found so irresistible.

“I can make a meal out of anything,” Mom told her friends proudly. She liked to brag about “Everything Stew,” a dish invented while she was concocting a casserole out of a two-week-old turkey carcass. (The very fact that my mother confessed to cooking with two-week-old turkey says a lot about her.) She put the turkey and a half can of mushroom soup into the pot. Then she began rummaging around in the refrigerator. She found some leftover broccoli and added that. A few carrots went in, and then a half carton of sour cream. In a hurry, as usual, she added green beans and cranberry sauce. And then, somehow, half an apple pie slipped into the dish. Mom looked momentarily horrified. Then she shrugged and said, “Who knows? Maybe it will be good.” And she began throwing everything in the refrigerator in along with it—leftover pâté, some cheese ends, a few squishy tomatoes.

That night I set up camp in the dining room. I was particularly worried about the big eaters, and I stared at my favorite people as they approached the buffet, willing them away from the casserole. I actually stood directly in front of Burt Langner so he couldn’t reach the turkey disaster. I loved him, and I knew that he loved food.

Unknowingly I had started sorting people by their tastes. Like a hearing child born to deaf parents, I was shaped by my mother’s handicap, discovering that food could be a way of making sense of the world.

At first I paid attention only to taste, storing away the knowledge that my father preferred salt to sugar and my mother had a sweet tooth. Later I also began to note how people ate, and where. My brother liked fancy food in fine surroundings, my father only cared about the company, and Mom would eat anything so long as the location was exotic. I was slowly discovering that if you watched people as they ate, you could find out who they were.

Then I began listening to the way people talked about food, looking for clues to their personalities. “What is she really saying?” I asked myself when Mom bragged about the invention of her famous corned beef ham.

“I was giving a party,” she’d begin, “and as usual I left everything for the last minute.” Here she’d look at her audience, laughing softly at herself. “I asked Ernst to do the shopping, but you know how absentminded he is! Instead of picking up a ham he brought me corned beef.” She’d look pointedly at Dad, who would look properly sheepish.

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